Dancing fear & desire :
Karayanni, Stavros Stavrou, 1965-
Dancing fear & desire : race, sexuality and imperial politics in Middle Eastern dance / Dancing fear and desire. Stavros Stavrou Karayanni. - Third printing. - Waterloo, Ont. : Wilfrid Laurier University Press, 2004. - xv, 244 pages : illustrations ; 23 cm. - Cultural studies series (Waterloo, Ont.)
Includes bibliographical references and index.
Introducing Colonial and Postcolonial Dialectics on the Subject of Dance -- Dismissal Veiling Desire: Kuchuk Hanem and Imperial Masculinity -- The Dance of Extravagant Pleasures: Male Performers of the Orient and the Politics of the Imperial Gace -- Dancing Decadence: Semiotics of Dance and the Phantasm of Salome -- "I have seen this dance on old Greek vases": Hellenism and the Worlding of Greek Dance -- What Dancer from Which Dance? Concluding Reflections.
"Throughout centuries of European colonial domination, the bodies of Middle Eastern dancers, male and female, move sumptuously and seductively across the pages of Western travel journals, evoking desire and derision, admiration and disdain, allure and revulsion. This profound ambivalence forms the axis of an investigation into Middle Eastern dance - an investigation that extends to contemporary belly dance. Stavros Stavrou Karayanni, through historical investigation, theoretical analysis, and personal reflection, explores how Middle Eastern dance actively engages race, sex, and national identity. Close readings of colonial travel narratives, an examination of Oscar Wilde' Salome, and analyses of treatises about Greek dance reveal the intricate ways in which this controversial dance has been shaped by Eurocentric models that define and control identity performance."-- Back cover.
0889204543 9780889204546
Belly dance--Middle East
Belly dance--Greece
Belly dance--Political aspects
Belly dance--Social aspects
Belly dance--History.
Alsharqi (Dance)
Gender identity in dance
Homosexuality and dance
Sex in dance
Male dancers
793.3
Dancing fear & desire : race, sexuality and imperial politics in Middle Eastern dance / Dancing fear and desire. Stavros Stavrou Karayanni. - Third printing. - Waterloo, Ont. : Wilfrid Laurier University Press, 2004. - xv, 244 pages : illustrations ; 23 cm. - Cultural studies series (Waterloo, Ont.)
Includes bibliographical references and index.
Introducing Colonial and Postcolonial Dialectics on the Subject of Dance -- Dismissal Veiling Desire: Kuchuk Hanem and Imperial Masculinity -- The Dance of Extravagant Pleasures: Male Performers of the Orient and the Politics of the Imperial Gace -- Dancing Decadence: Semiotics of Dance and the Phantasm of Salome -- "I have seen this dance on old Greek vases": Hellenism and the Worlding of Greek Dance -- What Dancer from Which Dance? Concluding Reflections.
"Throughout centuries of European colonial domination, the bodies of Middle Eastern dancers, male and female, move sumptuously and seductively across the pages of Western travel journals, evoking desire and derision, admiration and disdain, allure and revulsion. This profound ambivalence forms the axis of an investigation into Middle Eastern dance - an investigation that extends to contemporary belly dance. Stavros Stavrou Karayanni, through historical investigation, theoretical analysis, and personal reflection, explores how Middle Eastern dance actively engages race, sex, and national identity. Close readings of colonial travel narratives, an examination of Oscar Wilde' Salome, and analyses of treatises about Greek dance reveal the intricate ways in which this controversial dance has been shaped by Eurocentric models that define and control identity performance."-- Back cover.
0889204543 9780889204546
Belly dance--Middle East
Belly dance--Greece
Belly dance--Political aspects
Belly dance--Social aspects
Belly dance--History.
Alsharqi (Dance)
Gender identity in dance
Homosexuality and dance
Sex in dance
Male dancers
793.3