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Aniconism in Greek antiquity / Milette Gaifman.

By: Material type: TextTextSeries: Oxford studies in ancient culture and representationPublication details: Oxford ; New York : Oxford University Press, 2012.Description: xviii, 357 pages : illustrations ; 26 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780199645787
Subject(s): DDC classification:
  • 292.37
Contents:
What is Greek aniconism? -- Pausanias' aniconica -- Greek views of aniconism : the "primitive" within -- Rough rocks -- Standing stelai -- The aniconic depicted : stelai on classical vases -- Apollo's pointed column and the Dioskouroi's parallel beams.
Summary: "In this volume, Milette Gaifman explores a phenomenon known as aniconism - the absence of figural images of gods in Greek practiced religion and the adoption of aniconic monuments, namely objects such as pillars and poles, to designate the presence of the divine. Shifting our attention from the well-known territories of Greek anthropomorphism and naturalism, it casts new light on the realm of the non-figural in Greek religious art by examining the place of aniconism in religion and visual culture, as well as looking at ancient perceptions of the phenomenon. Drawing upon a variety of material and textual evidence dating from the rise of the Greek polis in the eighth century BC to the rise of Christianity in the first centuries AD, this book shows that aniconism was more significant than has often been assumed. Coexisting with the fully figural forms for representing the divine throughout Greek antiquity, aniconic monuments marked an undefined yet fixedly located divine presence. Cults centered on rocks were encountered at crossroads and on the edges of the Greek city. Despite aniconism's liminality, non-figural markers of divine presence became a subject of interest in their own right during a time when mimesis occupied the center of Greek visual culture. The ancient Greeks saw the worship of stones and poles, and cults without images, as characteristic of the beginning of their own civilization. Similarly, in the Hellenistic and Roman periods, the existence of aniconism was seen as physical evidence for the continuity of ancient Greek traditions from time immemorial." -- Back cover.
List(s) this item appears in: Anne Stewart's Collection
Holdings
Item type Current library Call number Status Date due Barcode Item holds Course reserves
Reserve - Overnight loan Reserve - Overnight loan CYA Library Reserve 292.37 GAI (Browse shelf(Opens below)) Available 00000011010

Hadji, Athena - Sculpture

Total holds: 0

Includes bibliographical references (pages [313]-345) and index.

What is Greek aniconism? -- Pausanias' aniconica -- Greek views of aniconism : the "primitive" within -- Rough rocks -- Standing stelai -- The aniconic depicted : stelai on classical vases -- Apollo's pointed column and the Dioskouroi's parallel beams.

"In this volume, Milette Gaifman explores a phenomenon known as aniconism - the absence of figural images of gods in Greek practiced religion and the adoption of aniconic monuments, namely objects such as pillars and poles, to designate the presence of the divine. Shifting our attention from the well-known territories of Greek anthropomorphism and naturalism, it casts new light on the realm of the non-figural in Greek religious art by examining the place of aniconism in religion and visual culture, as well as looking at ancient perceptions of the phenomenon.
Drawing upon a variety of material and textual evidence dating from the rise of the Greek polis in the eighth century BC to the rise of Christianity in the first centuries AD, this book shows that aniconism was more significant than has often been assumed. Coexisting with the fully figural forms for representing the divine throughout Greek antiquity, aniconic monuments marked an undefined yet fixedly located divine presence. Cults centered on rocks were encountered at crossroads and on the edges of the Greek city. Despite aniconism's liminality, non-figural markers of divine presence became a subject of interest in their own right during a time when mimesis occupied the center of Greek visual culture. The ancient Greeks saw the worship of stones and poles, and cults without images, as characteristic of the beginning of their own civilization. Similarly, in the Hellenistic and Roman periods, the existence of aniconism was seen as physical evidence for the continuity of ancient Greek traditions from time immemorial." -- Back cover.

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