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The conquered : Byzantium and America on the cusp of modernity / Eleni Kefala.

By: Material type: TextTextSeries: Extravagantes (Dumbarton Oaks)Publication details: Washington, DC : Dumbarton Oaks Research Library and Collection, 2020.Description: xiii, 158 pages : illustration, maps, facsimiles ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780884024767
Subject(s): DDC classification:
  • 808.803582
Contents:
Serendipities -- Byzantium, America, and the "modern" -- Tradition and theory -- Imparting trauma -- Texts and their afterlife.
Summary: "In the middle of the fifteenth century, ominous portents like columns of fire and dense fog were seen above the skies of Constantinople as the Byzantine capital fell under siege by the Ottomans. Allegedly, similar signs appeared a few decades later and seven thousand miles away, forecasting the fall of the Mexica capital of Tenochtitlan-Tlatelolco to the Spanish and their indigenous allies. After both cities had fallen, some Greeks and Mexica turned to poetry and song to express their anguish at the birth of what has come to be called the "modern" era. This study probes issues of collective memory and cultural trauma in three sorrowful poems, the "Lament for Constantinople," the "Huexotzinca Piece," and the "Tlaxcala Piece." Composed by anonymous authors soon after the conquest of the two cities, these texts describe the fall of an empire as a fissure in the social fabric and an open wound on the body politic. They are the workings of creators who draw on tradition and historical particulars to articulate, in a familiar language, the trauma of the conquered"-- Back covers.
Holdings
Item type Current library Call number Status Date due Barcode Item holds
Book - 7-day loan Book - 7-day loan CYA Library Main Collection 808.803582 KEF (Browse shelf(Opens below)) Available 00000011384
Total holds: 0

Includes bibliographical references (pages 137-148) and index.

Serendipities -- Byzantium, America, and the "modern" -- Tradition and theory -- Imparting trauma -- Texts and their afterlife.

"In the middle of the fifteenth century, ominous portents like columns of fire and dense fog were seen above the skies of Constantinople as the Byzantine capital fell under siege by the Ottomans. Allegedly, similar signs appeared a few decades later and seven thousand miles away, forecasting the fall of the Mexica capital of Tenochtitlan-Tlatelolco to the Spanish and their indigenous allies. After both cities had fallen, some Greeks and Mexica turned to poetry and song to express their anguish at the birth of what has come to be called the "modern" era. This study probes issues of collective memory and cultural trauma in three sorrowful poems, the "Lament for Constantinople," the "Huexotzinca Piece," and the "Tlaxcala Piece." Composed by anonymous authors soon after the conquest of the two cities, these texts describe the fall of an empire as a fissure in the social fabric and an open wound on the body politic. They are the workings of creators who draw on tradition and historical particulars to articulate, in a familiar language, the trauma of the conquered"-- Back covers.

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